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Apachepostfixsambasshdテキスト処理 バージョン ユーザ管理 シェルの変更 sudo 設定 コンソールで日本語表示 サーバ起動制御 gdmを自動起動させない aptitude パッケージの自動更新関連 ネットワーク設定 ファイアーウォール(iptables) 外部からポートスキャンして確認 PPTP サーバー クライアント ntp 便利コマンド findコマンド watch screenコマンド SSH 自動切断されないようにする トンネル locale/lang バージョン リリースについての説明http //www.debian.org/releases/index.ja.html バージョンの確認/etc/debian_version を参照する。 ユーザ管理 http //www015.upp.so-net.ne.jp/unixlife/linux/de-user.html シェルの変更 foobarのログインシェルを /bin/rbashに変更 chsh -s /bin/rbash foobar または usermod -s /bin/rbash foobar sudo 設定 visudoを使う http //homepage2.nifty.com/BASH/sol/tool/sudo_config.html コンソールで日本語表示 modprobe vga16fb jfbterm サーバ起動制御 起動しないようにする(/etc/rc?.d/からのリンクを削除) update-rc.d -f foo remote 起動するようにする(/etc/rc?.d/からのリンクを作成) update-rc.d foo default gdmを自動起動させない update-rc.d -f gdm remove aptitude リスト更新 aptitude update インストール aptitude install package-name 特定のバージョンをインストール aptitude install package-name=version-number 情報表示 aptitude show package-name もっとくわしく aptitude -vv show package-name 変更履歴 aptitude changelog package-name パッケージの検索 aptitude search pattern aptitude search php- など pattern http //algebraicthunk.net/~dburrows/projects/aptitude/doc/ja/ch02s03s05.html#searchTermName aptitude search ?name(^lib) ⇒libで始まるもの aptituce search ?installed ⇒インストール済みのもの インストール済みのパッケージのインストールサイズを一覧で表示 .aptitude/configに以下の行を追加 aptitude CmdLine Package-Display-Format "%c%a%M %p# - %I - %d#"; 以下のコマンドを実行 aptitude search ?installed --sort installsize ダウンロード元の設定 /etc/apt/sources.listを書き換え。 deb http //ftp.jp.debian.org/debian/ lenny main deb-src http //ftp.jp.debian.org/debian/ lenny main deb http //security.debian.org/ lenny/updates main deb-src http //security.debian.org/ lenny/updates main deb http //volatile.debian.org/debian-volatile lenny/volatile main deb-src http //volatile.debian.org/debian-volatile lenny/volatile main lennyがEOLになったことの対応 http //mojavy.com/blog/archive/2012/06/1/ 今は公開されなくなった昔のパッケージを取得したい 以下を参照してsources.listを書き換え http //snapshot.debian.org/ 削除 aptitude purge postfix 再設定 dpkg-reconfigure postfix パッケージに含まれるファイル一覧 dpkg -L package ファイルが所属するパッケージを見つける dpkg -S /path/to/file その他もろもろ http //qref.sourceforge.net/Debian/quick-reference/ch-package.ja.html パッケージの自動更新関連 auto-apt puppet ネットワーク設定 IPアドレスを固定的に指定する /etc/network/interfaces # The primary network interface auto eth0 iface eth0 inet static address 192.168.1.123 netmask 255.255.255.0 broadcast 192.168.1.255 gateway 192.168.1.1 dns-nameservers 192.168.1.2 インタフェース再起動 /etc/init.d/networking restart 参照 http //www.debian.org/doc/manuals/debian-reference/ch05.ja.html#_the_basic_network_configuration_with_ifupdown ファイアーウォール(iptables) /etc/network/if-pre-up.d/iptables-up (ファイル名(iptables-up)は任意) #!/bin/bash iptables -F # remove all rules iptables -Z # reset byte counters iptables -X # remove empty chains iptables -P INPUT DROP # Drop all input packets iptables -P OUTPUT ACCEPT # Allow all output packets iptables -P FORWARD DROP # Drop all forwarding packets iptables -A INPUT -i lo -j ACCEPT # Allow all packets from lo iptables -A INPUT -m state --state ESTABLISHED,RELATED -j ACCEPT # Allow packets belonging to established connections and # packets related to existing communication ssessoins iptables -A INPUT -p icmp -j ACCEPT # Allow ICMP (ping, etc) iptables -A INPUT -p tcp --dport 80 -j ACCEPT # Allow HTTP iptables -A INPUT -f -j ACCEPT # Allow fragment packets (excep first fragment) 実行権限の付与を忘れずに。 スクリプトの確認 /etc/init.d/networking restart →ネットワークインタフェース再起動 このタイミングで上記スクリプトが実行される。 設定内容の確認 sudo iptables -L または sudo iptables-save 参照 http //ktarn.www.linux.or.jp/JF/JFdocs/packet-filtering-HOWTO-7.html http //ore.saizensen.net/archives/275 外部からポートスキャンして確認 nmapを使う。Windows用GUI(Zenmap)付きもある http //nmap.org/ Zenmapの画面でProfileから以下を選択してそれぞれScanを実行 Intense scan, all TCP ports (→TCP全ポート) Intense scan plus UDP (→TCP/UDP 1024番?までスキャン) 参照 http //www.atmarkit.co.jp/fsecurity/rensai/view06/view01.html ポート状態の説明 https //nmap.org/man/jp/man-port-scanning-basics.html UDPスキャンの難しさや内容について http //www.nri-secure.co.jp/ncsirt/2010/0208.html https //nmap.org/man/jp/man-port-scanning-techniques.html の -sUの説明 PPTP サーバー aptitude install pptpd 参照 http //blog.manabii.info/2009/08/net-lan-pptp-vpn.html ※ サーバからクライアントにDNSサーバーアドレスを通知する必要が無ければ pptpd-options の ms-dns の行は不要と思われる。ms-winsも同様 クライアント aptitude install pptp-linux 参照 http //pptpclient.sourceforge.net/howto-debian.phtml http //www.tagus.org/pukiwiki/index.php?Debian#je51911c ntp 手動の場合、ntpdate http //16777215.blogspot.com/2008/08/kurobako-debian-ntpdate.html 自動の場合、ntp http //debianj.com/ubuntu/install/ntp.html ntpのサーバとしては、以下を利用するとよい。 http //jjy.nict.go.jp/ntp/ 便利コマンド findコマンド http //www.uetyi.mydns.jp/wordpress/command/entry-125.html find 検索場所 検索条件 実行内容 例 find ./ -name .svn -exec mv {} {}.bak \; 実行内容に -exec を指定した場合は、コマンドの最後に ; を書く。シェルで特別な文字のため、\; とする。 {}は検索されたファイルのパスに置換される。 シンボリックリンクを検索する find . -type l watch 定期的に画面消去・時刻表示しコマンドを実行。 screenコマンド screen ^ac 新しいウィンドウ ^an 次 ^a数字 指定したウィンドウ ^aw 一覧 ^ad デタッチ screen -ls 今動いているscreen一覧 screen -r 回復 SSH 自動切断されないようにする ホームの .ssh/config ServerAliveInterval 120 トンネル ssh -N -g -L 201 192.168.32.12 80 user@host ローカルのポート201をリモートの192.168.32.12 80に転送する。 -L 転送する (逆向きの転送として -R もある) -g localhost以外からの接続も受け付ける -N SSHでリモートに接続後にシェルを起動しない。 ^C されるまで動作する。 -f バックグラウンドで動く。この場合はkillで停止させる。 locale/lang 利用可能なもの一覧 locale -a 追加 dpkg-reconfigure locales 名前 コメント
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The Jesus Dynasty The Hidden History of Jesus, His Royal Family, And the Birth of Christianity Simon & Schuster? James D. Tabor? Simon&Schuster? JamesD.Tabor? Subjects-Religion&Spirituality-Christianity-ChurchHistory-General? Subjects-Religion&Spirituality-Christianity-Theology-Christology? Subjects-Religion&Spirituality-Christianity-General? Subjects-Religion&Spirituality-General? Subjects-Religion&Spirituality-Occult-UnexplainedMysteries? Subjects-Religion&Spirituality-ReligiousStudies-History? Subjects-Religion&Spirituality-ReligiousStudies-ControversialKnowledge? The Seat of the Soul Simon & Schuster (a)? Gary Zukav? Simon&Schuster(a)? GaryZukav? Subjects-Health,Mind&Body-Self-Help-General? Subjects-Health,Mind&Body-BooksonCD-SelfHelp? Subjects-Health,Mind&Body-BooksonCD-PersonalGrowth? Subjects-Nonfiction-BooksonCD? Subjects-Religion&Spirituality-NewAge-General? Subjects-Religion&Spirituality-NewAge-NewThought? Subjects-Religion&Spirituality-Occult-General? 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Negotiate To Win The 21 Rules For Successful Negotiation Harperbusiness? Jim Thomas? Harperbusiness? JimThomas? Subjects-Business&Investing-Biographies&Primers-Negotiating? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Business&Investing-BusinessLife-Communication-Meetings&Presentations? Subjects-Business&Investing-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Negotiating? Place A Short Introduction (Short Introductions to Geography) Blackwell Pub? Tim Cresswell? BlackwellPub? TimCresswell? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Nonfiction-SocialSciences-HumanGeography? Subjects-Nonfiction-SocialSciences-Research? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geography? Subjects-Science-EarthSciences-Geography-General? 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Vampire Hunter D Volume 8 Mysterious Journey to the North Sea, Part Two Dh Pr? Hideyuki Kikuchi? DhPr? HideyukiKikuchi? ユーズドブック(洋書)-Horror? Subjects-Horror-General? Subjects-Horror-Vampires? Subjects-Literature&Fiction-GenreFiction-Horror-General? Subjects-Literature&Fiction-GenreFiction-Horror-Vampires? Longman Phrasal Verbs Dictionary (Dictionary) Addison-Wesley Pub (Sd)? Longman? Addison-WesleyPub(Sd)? Longman? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(British)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Thesauruses? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Dictionaries? Subjects-Reference-Dictionaries&Thesauruses-English(All)? Subjects-Reference-Dictionaries&Thesauruses-English(British)? Subjects-Reference-Dictionaries&Thesauruses-General? 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Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-General? The New Music Therapist's Handbook Berklee Pr Pubns? Suzanne Hanser? BerkleePrPubns? SuzanneHanser? Subjects-Entertainment-Music-Reference-General? Subjects-Entertainment-Music-General? Subjects-Entertainment-Music-Theory,Composition&Performance-Appreciation? Subjects-Entertainment-Music-Theory,Composition&Performance-Instruction&Study? Subjects-Entertainment-Music-Songbooks? Subjects-Medicine-Pharmacology? Subjects-Science-Medicine-Pharmacology? Imagine Tate Gallery Pubn? Herve Tullet? TateGalleryPubn? HerveTullet? ユーズドブック(洋書)-Children sBooks? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Arts&Music-Art-General? Microbiology and Immunology (Rapid Review) Mosby-Year Book? Ken S., Ph.D. Rosenthal? James S. Tan? Mosby-YearBook? KenS.,Ph.D.Rosenthal? JamesS.Tan? ジャンル別-mirror-test-test-subtier-Communicable? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Medicine-BasicScience-Immunology? Subjects-Medicine-BasicScience-Microbiology? Subjects-Medicine-Diseases-Communicable? Subjects-Medicine-Education&Training-TestPreparation&Review? Subjects-Professional&Technical-Medical-BasicSciences-Immunology? Subjects-Professional&Technical-Medical-BasicSciences-Microbiology? Introducing Psychological Research Palgrave Macmillan? Philip Banyard? Andrew Grayson? PalgraveMacmillan? PhilipBanyard? AndrewGrayson? ユーズドブック(洋書)-Health,Mind&Body? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-Psychology&Counseling? Holy Bible King James Version Audio Bible New Testament on Cd Amg Pubs? Andrew Torsky? AmgPubs? AndrewTorsky? ユーズドブック(洋書)-Religion&Spirituality? Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Bible-NewTestament? Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Bible-Translations-KingJames? Subjects-Religion&Spirituality-Christianity-Bibles-General? Subjects-Religion&Spirituality-Spirituality-Inspirational? 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GottfriedKonecny? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? ユーズドブック(洋書)-Travel? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-RemoteSensing? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-RemoteSensing? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geography? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Cartography? Hippity Skippity Easter Cartwheel Books? Maria Fleming? Katy Bratun? CartwheelBooks? MariaFleming? KatyBratun? ユーズドブック(洋書)-Children sBooks? Substores-UnknownASINs-59? Subjects-Children sBooks-Animals-General-Fiction? Subjects-Children sBooks-People&Places-Holidays&Festivals-Easter-Fiction? Wiley CIA Exam Review Business Management Skills (Wiley Cia Exam Review. Volume 4) John Wiley & Sons Inc? S. Rao Vallabhaneni? JohnWiley&SonsInc? 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Subjects-Computers&Internet-General? Subjects-Health,Mind&Body-Psychology&Counseling-AppliedPsychology? Substores-UnknownASINs-jp-unknown2? Frankie Johnny in the Clair De Lune Dramatist s Play Service? Terrence McNally? Dramatist sPlayService? TerrenceMcNally? ユーズドブック(洋書)-Entertainment? ユーズドブック(洋書)-Literature&Fiction? Subjects-Entertainment-Movies-General? Subjects-Literature&Fiction-Drama-General? Substores-UnknownASINs-jp-unknown2? Expert C++/CLI .net for Visual C++ Programmers Apress? Marcus Heege? Apress? MarcusHeege? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-General? Subjects-Computers&Internet-Programming-Languages&Tools-C&C++-WindowsProgramming? Decades of Fashion Konemann UK Ltd? Harriet Worsley? KonemannUKLtd? HarrietWorsley? ユーズドブック(洋書)-Arts&Photography? Subjects-Arts&Photography-GraphicDesign-Commercial-FashionDesign? 4000 Flower Plant Motifs A Sourcebook B T Batsford Ltd? Graham Leslie McCallum? BTBatsfordLtd? GrahamLeslieMcCallum? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Religion&Spirituality? Subjects-Arts&Photography-GraphicDesign-Commercial-General? Subjects-Arts&Photography-GraphicDesign-Design-General? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Religion&Spirituality-NewAge-General? Subjects-Arts&Photography-Art-ArtHistory-Themes? Gunnar Asplund Phaidon Inc Ltd? Peter Blundell Jones? PhaidonIncLtd? PeterBlundellJones? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Professional&Technical? Subjects-Arts&Photography-Architecture-BuildingTypes&Styles-General? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-Architects,A-Z-General? Subjects-Arts&Photography-Architecture-History&Periods-General? Subjects-Professional&Technical-Architecture-BuildingTypes&Styles-General? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Architecture-Architects,A-Z-General? Subjects-Professional&Technical-Architecture-History&Periods-General? FLCL 2 (Flcl) Tokyopop? Ueda Hajime? Roy Yoshimoto? Stephanie Sheh? Tokyopop? UedaHajime? RoyYoshimoto? StephanieSheh? ユーズドブック(洋書)-Teens? ユーズドブック(洋書)-Comics&GraphicNovels? Subjects-Comics&GraphicNovels-Manga-General? Subjects-Comics&GraphicNovels-GraphicNovels-General? Subjects-Teens-Manga-General? Love (Penguin Classics) Viking Pr? Stendhal? VikingPr? Stendhal? Subjects-Health,Mind&Body-Psychology&Counseling-Neuropsychology? Subjects-Health,Mind&Body-Psychology&Counseling-ByTopic-Perception? Subjects-Health,Mind&Body-MentalHealth-Emotions? Subjects-Literature&Fiction-Classics? Subjects-Literature&Fiction-Authors,A-Z-(S)-Stendhal? Subjects-Literature&Fiction-ForeignLanguageFiction-French? 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Format Title Artist Label Model Number Release Press 2LP PUSHIN STUTS ATIK SOUNDS,SPACE SHOWER NETWORK,JET SET JSLP078 2017/02/15 - 245428711_624.v1487079925.jpg Side Track Title Produce A 1 INTRODUCTION-PUSHIN - STUTS 2 RENAISSANCE BEAT STUTS 3 FURIOUS feat.CAMPANELLA,KID FRESINO STUTS 4 SHADOW feat.JJJ,KID FRESINO,DJ SCRATCH NICE STUTS B 5 TREASURE BOX STUTS 6 CALLED GAME feat.K.LEE,呂布カルマ STUTS 7 PUSHIN STUTS 8 INTERLUDE TAXI DRIVER STUTS C 9 SPECIAL DAY feat.CHIYORI STUTS 10 POOLSIDE STUTS 11 SAIL AWAY feat.ALFRED BEACH SANDAL STUTS 12 COSMIC JOURNEY STUTS D 13 5TH DIMENSIONAL TRIP STUTS 14 夜を使いはたして feat.PUNPEE STUTS 15 ROCK THE BELLS feat.KMC STUTS 16 OUTRO GOES ON STUTS PERTAIN RECORD Pushin’ [Analog] PERTAIN CD Pushin'
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Technology of Ancient Greece (Primary Sources of Ancient Civilizations. Greece) Powerkids Pr? Melanie Ann Apel? PowerkidsPr? MelanieAnnApel? ジャンル別? Subjects-Children sBooks-People&Places-SocialScience-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technology of Ancient Rome (Primary Sources of Ancient Civilizations. Rome) Powerkids Pr? Daniel C. Gedacht? PowerkidsPr? DanielC.Gedacht? ジャンル別? Subjects-Children sBooks? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technology of Ancient Egypt (Primary Sources of Ancient Civilizations. Egypt) Powerkids Pr? Leslie C. Kaplan? PowerkidsPr? LeslieC.Kaplan? ジャンル別? Subjects-Children sBooks-History&HistoricalFiction-Ancient? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Science-History&Philosophy-HistoryofTechnology? 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Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference High Pressure Technology Equipment Design, Materials, and Properties Marcel Dekker Inc? I. L. Spain? J. Paauwe? MarcelDekkerInc? I.L.Spain? J.Paauwe? ジャンル別? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Organic-General? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference High Pressure Technology Applications and Processes (Lung Biology in Health and Disease) Marcel Dekker Inc? I. L. Spain? J. Paauwe? MarcelDekkerInc? I.L.Spain? J.Paauwe? ジャンル別? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Medicine-InternalMedicine-Oncology-General? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Oncology? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Organic-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-InternalMedicine-Oncology-General? Dictionary of Drying Marcel Dekker Inc? Carl W. Hall? MarcelDekkerInc? CarlW.Hall? ジャンル別? Subjects-Engineering-Chemical-General? 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Human Rights Watch ニュースリリース http //www.hrw.org/en/home Palestinian Authority Death Sentences Surge in West Bank, Gaza(未作成)Dec 15, 2008 パレスチナ人権威 死刑宣告がヨルダン川西岸とガザ地区で急増しています。 http //www.hrw.org/en/news/2008/12/15/palestinian-authority-death-sentences-surge-west-bank-gaza Israel Reverse Expulsion of Human Rights Rapporteur(未作成) Dec 17, 2008 イスラエル 人権報告担当者の追放を撤回してください。 http //www.hrw.org/en/news/2008/12/17/israel-reverse-expulsion-human-rights-rapporteur Israel Artillery Poses Risk to Gaza Civilians(未作成) Dec 30, 2008 イスラエル 砲はガザ民間人への危険を引き起こします。 http //www.hrw.org/en/news/2008/12/30/israel-artillery-poses-risk-gaza-civilians Israel/Gaza Civilians Must Not Be Targets(未作成) Dec 30, 2008 イスラエル/ガザ 民間人は目標にしてはいけません。 http //www.hrw.org/en/news/2008/12/30/israelgaza-civilians-must-not-be-targets Israel Gaza Ground Offensive Raises Laws of War Concerns(未作成) Jan 4, 2009 イスラエル ガザ地上攻撃は戦争関係法を提起します http //www.hrw.org/en/news/2009/01/04/israel-gaza-ground-offensive-raises-laws-war-concerns Israel Allow Media and Rights Monitors Access to Gaza(未作成) Jan 5, 2009 イスラエル メディアと人権モニターのガザへのアクセスを許容してください。 http //www.hrw.org/en/news/2009/01/05/israel-allow-media-and-rights-monitors-access-gaza Gaza Israeli Attack on School Needs Full UN Investigation(未作成) Jan 7, 2009 ガザ 学校に対するイスラエルの攻撃は完全な国連の調査を必要とします。 http //www.hrw.org/en/news/2009/01/07/gaza-israeli-attack-school-needs-full-un-investigation Israel and Egypt Allow Humanitarian Access to Gaza(未作成) Jan 8, 2009 ガザへの人道主義者のアクセスを許してください。 http //www.hrw.org/en/news/2009/01/08/israel-and-egypt-allow-humanitarian-access-gaza Israel Investigate Former Judge’s Killing in Gaza(未作成) Jan 9, 2009 ガザでの元裁判官の殺害を調査してください。 http //www.hrw.org/en/news/2009/01/09/israel-investigate-former-judge-s-killing-gaza Israel Stop Unlawful Use of White Phosphorus in Gaza Jan 10, 2009 ガザでの白リンの不法な使用を止めてください。 http //www.hrw.org/en/news/2009/01/10/israel-stop-unlawful-use-white-phosphorus-gaza Israel End Gaza’s Humanitarian Crisis at Once January 13, 2009 すぐに、ガザの人道の危機を終わらせてください。 Israel Stop Shelling Crowded Gaza City(未作成) Jan 16, 2009 人口が密集しているガザ市に砲弾を浴びせるのを止めてください。 http //www.hrw.org/en/news/2009/01/16/israel-stop-shelling-crowded-gaza-city Gaza Crisis Regimes React with Routine Repression(未作成) Jan 21, 2009 ガザ危機 政権は習慣化した鎮圧として反応してます。 http //www.hrw.org/en/news/2009/01/21/gaza-crisis-regimes-react-routine-repression Israel/Gaza International Investigation Essential(未作成) Jan 27, 2009 イスラエル/ガザ 国際的な調査は不可欠です。 http //www.hrw.org/en/news/2009/01/27/israelgaza-international-investigation-essential Israel/Egypt Choking Gaza Harms Civilians(未作成) Feb 18, 2009 イスラエル/エジプト ガザハームズ民間人を窒息させます。 http //www.hrw.org/en/news/2009/02/18/israelegypt-choking-gaza-harms-civilians Israel End Ban on Human Rights Monitors(未作成) Feb 22, 2009 イスラエル 人権モニターへ禁止令をやめよ。 http //www.hrw.org/en/news/2009/02/21/israel-end-ban-human-rights-monitors Israel/Gaza Donors Should Press Israel to End Blockade Mar 1, 2009 イスラエル/ガザ 資金援助国は、封鎖を終わらせるようにイスラエルに圧力をかけるべきです。 http //www.hrw.org/en/news/2009/02/28/israelgaza-donors-should-press-israel-end-blockade Egypt Hundreds Still Held Over Gaza Protests(未作成) Mar 4, 2009 数百人がガザ抗議を未だに延期させられています。 http //www.hrw.org/en/news/2009/03/04/egypt-hundreds-still-held-over-gaza-protests Human Rights Watch
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Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Management&Leadership-Decision-Making&ProblemSolving? Subjects-Business&Investing-Management&Leadership-Systems&Planning? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-RiskAnalysis&Management? Subjects-Engineering-General? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-RiskAnalysis&Management? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Decision-Making&ProblemSolving? 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UnitedStatesEnvironmentalProtectionAgency? ジャンル別? Substores-UnknownASINs-26? Subjects-Engineering-Aerospace? Subjects-Nonfiction-Transportation-Aviation-Commercial? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Profile of the Air Transportation Industry (Industry Sector Notebook Ser) Government Inst? United States Environmental Protection Agency? GovernmentInst? UnitedStatesEnvironmentalProtectionAgency? ジャンル別? Substores-UnknownASINs-26? Subjects-Engineering-Aerospace? Subjects-Nonfiction-Transportation-Aviation-Commercial? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? 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Subjects-Science-Technology-General&Reference Ground Transportation Industry (Industry Sector Notebook Ser) Government Inst? United States Environmental Protection Agency? GovernmentInst? UnitedStatesEnvironmentalProtectionAgency? ジャンル別? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Science-Technology-General&Reference Lumber and Wood Products Industry (Industry Sector Notebook Ser) Government Inst? United States Environmental Protection Agency? GovernmentInst? UnitedStatesEnvironmentalProtectionAgency? ジャンル別? Substores-UnknownASINs-26? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-Reference? Subjects-Outdoors&Nature-Flora-Trees-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-Nature&Ecology-Plants-Trees-General? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Botany-General? Metal Casting Industry (Industry Sector Notebook Ser) Government Inst? United States Environmental Protection Agency? GovernmentInst? UnitedStatesEnvironmentalProtectionAgency? ジャンル別? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-Metallurgy? Subjects-Home&Garden-Crafts&Hobbies-MetalWork? Subjects-Professional&Technical-Engineering-MaterialsScience-Metallurgy? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-General Subjects-Science-Technology-General&Reference Metal Fabrication Industry (Industry Sector Notebook Ser) Government Inst? United States Environmental Protection Agency? GovernmentInst? UnitedStatesEnvironmentalProtectionAgency? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-MaterialsScience-Metallurgy? 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Subjects-Science-General Subjects-Science-Technology-General&Reference Oil and Gas Extraction Industry Government Inst? GovernmentInst? ジャンル別? Subjects-Business&Investing-General? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Science-Technology-General&Reference Petroleum Refining Industry (Industry Sector Notebook Series) Government Inst? United States Environmental Protection Agency? GovernmentInst? UnitedStatesEnvironmentalProtectionAgency? ジャンル別? Substores-UnknownASINs-26? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Science-General Subjects-Science-Technology-General&Reference Pharmaceutical Industry Government Inst? GovernmentInst? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Medicine-Pharmacology-Pharmacy? Subjects-Professional&Technical-Medical-Pharmacology-Pharmacy? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Pharmacology-Pharmacy? Plastic Resins and Man-Made Fibers Industry Government Inst? GovernmentInst? ジャンル別? Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Profile of the Printing and Publishing Industry Government Inst? GovernmentInst? ジャンル別? Substores-UnknownASINs-26? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Profile of the Pulp and Paper Industry Government Inst? GovernmentInst? ジャンル別? Substores-UnknownASINs-26? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Rubber and Plastic Industry Government Inst? GovernmentInst? ジャンル別? Substores-UnknownASINs-26? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-Mining? Subjects-Professional&Technical-Engineering-Civil-Mining? Subjects-Professional&Technical-Engineering-Civil-Environmental-Mining? Subjects-Science-EarthSciences-Prospecting&Mining? Subjects-Science-General Subjects-Science-Technology-General&Reference Stone, Clay, Glass and Concrete Industry Government Inst? GovernmentInst? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-Technology-General&Reference Profile of the Textiles Industry Government Inst? GovernmentInst? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-Technology-General&Reference Wood Furniture and Fixtures Industry Government Inst? GovernmentInst? ジャンル別? Subjects-Business&Investing-General? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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Industrial and Engineering Applications of Artificial Intelligence and Expert Systems 96 Proceedings of the Ninth International Conference Fukuoka, Japan, June 4-7, 1996 G & B Pub? Takushi Tanaka? Setsuo Ohsuga? Moonis Ali? G&BPub? TakushiTanaka? SetsuoOhsuga? MoonisAli? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-Networking-DataintheEnterprise-ExpertSystems? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Applications? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Computers&Internet-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-General The Language of Science A Study of the Relationship Between Literature and Science in the Perspective of a Hermeneutical Ontology, With a Case Stud (Brill's Studies in Intellectual History) Brill Academic Pub? Ilse Nina Bulhof? BrillAcademicPub? IlseNinaBulhof? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Arts&Photography-Architecture-InteriorDesign-General? Subjects-Home&Garden-InteriorDesign-General? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-Hermeneutics? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-Semiotics? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Linguistics-Applied? Subjects-Professional&Technical-Architecture-InteriorDesign-General? Subjects-Reference-Words&Language-Linguistics? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Science and Technology Policy for Economic Development in Africa (International Studies in Sociology and Social Anthropology) Brill Academic Pub? Aqueil Ahmad? BrillAcademicPub? AqueilAhmad? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-InteriorDesign-General? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Home&Garden-InteriorDesign-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-SpecialGroups-EthnicStudies? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Architecture-InteriorDesign-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Fractals in Rock Mechanics (Geomechanics Research Series, No 1) Aa Balkema? Heping Xie? AaBalkema? HepingXie? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-ComputerScience-Algorithms-Fractals? Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Foundations&SoilMechanics? Subjects-Professional&Technical-Engineering-Civil-General? 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第4幕 第1景 - アントニア ヴェネツィアのクレスペルの家 変わった内装の部屋 右手にはクラブサン 壁にはヴァイオリンがいくつか掛かっている 左側に切り取られた窓 奥には2つの扉 その間の壁に掛かっているのは女性の大きな肖像画 夕暮れ N° 18. ロマンス 【アントニア】 (クラブサンの前に座っている) 飛び去って行ったの あの山鳩は! (立ち上がって) ああ!思い出はあまりに甘いわ! 記憶はあまりにむごいの! ああ!私の膝の上で 私は聞いたのに 私は見たのに! ああ!私の膝の上で 私は見たのに! 私は聞いたのに 私は見たのに! 飛び去って行ったの あの山鳩は 飛び去って行ったの 遠くあなたから だけど 彼女はずっと忠実で あなたとの誓いを守っているわ! 愛する人 私の声はあなたを呼んでいるの そう 私の心はあなたのものなの! 私の心はあなたのものなの! 私の心はあなたのものなの! 飛び去って行ったの あの山鳩は 飛び去って 飛び去って行ったの 遠くあなたから! (彼女はクラブサンに近づき 立ったまま 楽譜をめくりながら弾き続ける) いとしい花よ 咲いたばかりの お願い 答えて頂戴 私に! あなたは知ってるでしょ 彼が私を愛しているかどうか 彼が私への誓いを守っているかどうかを! 私の最愛の人 私の声はあなたに訴えています ああ!あなたの心が私のもとに来てくれるようにと! あなたの心が来てくれるようにと 私のもとに! あなたの心が来てくれるようにと 私のもとに! 飛び去って行ったの あの山鳩は 飛び去って 飛び去って行ったの 遠くあなたから! (彼女はクラブサンの前の椅子に倒れ込む) シェーナ F 【クレスペル】 不幸な子! いとしい娘よ! お前は約束したではないか 歌はやめると? 【アントニア】 お母さまが私の中で蘇ったの! 私の心は 歌っていると 感じるの お母さまが聞いて下さっていると 【クレスペル】 そのことがわしの苦しみなのだ お前の愛する母さんは お前に遺して逝ってしまった その声を! 嘆いてもどうしようもない! お前を通してわしにはそれが聞こえるのだ (力を込めて) やめろ!やめてくれ!お願いだ! 【アントニア】 (悲しげに) あなたのアントニアはもう歌いません (彼女はゆっくりと出て行く) 【クレスペル】 絶望だ!今また わしは見てしまった あの炎の斑点を 娘の顔の上に! 神よ!わしはあの子を失うのか わしの愛する? ああ!ホフマンの奴だ 奴なのだ 吹き込んだのは 娘の心にあんな陶酔を! わしは逃げて来たのだが ミュンヘンまで! (ちょうどこの瞬間に入って来たフランツに) フランツ 誰も入れるんじゃないぞ! 【フランツ】 さようですか? (彼は出て行こうとする) 【クレスペル】 どこに行く? 【フランツ】 見て参りますんで 呼び鈴がなったかどうか あなたさまがおっしゃったように 【クレスペル】 わしは言ったのだ:誰も入れるなと! (彼の耳に向かって叫ぶ) 誰もだぞ! 聞こえたな 今度は 【フランツ】 えっ!何をなさる! わしゃ耳が聞こえないわけじゃありません! 【クレスペル】 全く!悪魔に連れて行かれろ! 【フランツ】 はい ムッシュー ドアの鍵を 【クレスペル】 愚か者!役立たず! 【フランツ】 その通りでございます! 【クレスペル】 (激怒して) 畜生め! (彼は荒々しく出て行く フランツはドアを閉めに行き舞台にまた戻ってくる) 【フランツ】 (ひとり) 全く!何だ!いつも怒って! 変わり者で!偏屈で!口うるさい! ああ!全く難しいぞ 旦那を喜ばせるのは…金持ちだし! N° 19. クープレ 昼でも夜でも 這いつくばって わずかな合図にも わしゃ黙り込む こりゃ歌でも歌ってるかのようだ! だけどな もしわしが歌うとなりゃあ 旦那も馬鹿にはできまいて わしも歌ってはみるが 一人で時には しかし 歌を歌うのも簡単には行かぬ トラララ ララララ ララララ ラ こりゃあ声というわけではないようだな ララララ ララララ ララララ ラ わしに欠けているのは たぶん ララララ ララララ ララララ (彼は音程を外す) だめだ そりゃ基本だ 基本だ! トラララ ララララ ララララ ララララ ララララ ララララ 残念!何でもできるという訳にはいかんな わしの歌はみじめなもんだ だがな わしゃ愉快に踊れるぞ 自分でこう言ってやろう 掛け値なしに ほれみろ!ダンスはわしの得意技 これぞ これぞわしの最大の魅力だと だがダンスとて簡単には行かぬ! (彼は歌いながら踊る) トラララ ララララ ララララ ラ 女性たちのそばならこの足も ララララ ララララ ララララ ラ うまく動かんこともなかろうが ララララ ララララ ララララ (彼は間違ったステップを踏んで転倒する) だめだ こりゃ基本だ 基本だ! (彼は立ち上がる) トラララ ララララ ララララ (彼は椅子に倒れ込む) シェーナ G 【ホフマン】 (奥の戸口に現れる) フランツ! ここだったのか! (彼は舞台を進み出て フランツの肩に触れる) 立てよ 友よ! 【フランツ】 おや!どなたです? (彼は起きあがり 驚く) ムッシュー・ホフマン! 【ホフマン】 私だ!ところでアントニアは? 【フランツ】 旦那様はお出かけです ムッシュー 【ホフマン】 ハ!ハ!去年より耳が遠くなったか? 【フランツ】 ムッシュー どういたしまして! わしゃお陰さまで元気です! 【ホフマン】 (声を上げて) アントニアだ! さあ 会わせてくれ! 【フランツ】 (彼を見てほほ笑み) 分かりました!きっとお喜びでしょう ムッシュー・クレスペルも (彼は出て行く) N° 20. デュオ (ホフマンはクラブサンに近づき 座って譜面台の上の楽譜を眺め 自分で伴奏しながら歌う) 【ホフマン】 それは愛の歌 飛び去って行く 悲しく そして狂おしく 飛び去って行く 悲しく狂おしく 【アントニア】 (急いで入ってくる) ホフマン! 【ホフマン】 (立ち上がってアントニアを腕の中に抱き寄せる) アントニア! 【アントニア】 ああ!私には分かっていたわ あなたがまだ私を愛していると 【ホフマン】 私の心は告げていたよ 私は求められていると! 私の心は告げていたよ 私は求められていると! 幸せいっぱいだ 私の魂の中は! 明日はあなたが私の妻になるのだから! 幸せなカップル 幸せなカップルに 未来は私たちのものだ!私たちのものだ! 【アントニア】 幸せいっぱいよ 私の魂の中は! 明日私はあなたの妻になるのだから 幸せなカップル 幸せなカップルに 未来は私たちのものです!私たちのものです! 【アントニア、ホフマン】 愛に忠実でいましょう! その永遠の鎖で 【ホフマン】 ああ!私たちの心を繋ぐのだ 【アントニア】 ええ 私たちの心を繋ぐのです 【アントニア、ホフマン】 時を支配して! 愛に忠実でいましょう! 【ホフマン】 幸せでいっぱいだ 私の魂の中は! 【アントニア】 幸せでいっぱいです 私の魂の中は! 明日私はあなたのものになるのだから 幸せなカップルに 【ホフマン】 幸せでいっぱいだ 私の魂の中は! 明日私は私の妻になるのだから 幸せなカップルに 【アントニア、ホフマン】 未来は私たちのものです!未来は私たちのものです! 【ホフマン】 だけど おおフィアンセよ あなたに告げてもいいかい ひとつの思いを それは私を悩ませているんだ どうしようもなく? 音楽は私を少しばかり嫉妬させているんだ あなたがそれをあまりにも愛しているから! 【アントニア】 (ほほ笑んで) 奇妙な空想をされているのですね あなたを私が愛してるのは音楽があるため それとも音楽を私が愛しているのはあなたのためかしら? だってあなたは私に禁じたりはしないのでしょう 歌うことを 私のお父さまと同じように? 【ホフマン】 何を言うんだ! 【アントニア】 (ミステリアスに) ええ 私のお父さまは今私に命じているの 沈黙の美徳を あなたは聞いて下さるでしょう? 【ホフマン】 (独白) 奇妙だな それは… 【アントニア】 (力をこめて) ここに来て 以前のように! ここに来て、聞いて確かめて 私が自分の声をなくしたかどうか 【ホフマン】 そんなにあなたの目を輝かせて そしてそんなにあなたの手を震わせて 【アントニア】 さあ あの甘い愛の歌を 私たちが一緒に歌った 【ホフマン】 あの素敵な愛の歌を 【アントニア】 私たちが一緒に歌った! 【ホフマン】 一緒に 【アントニア】 (クラブサンで伴奏しながら) それは愛の歌 飛び去って行くの 悲しく そして狂おしく それは飛び去って行く 悲しく そして狂おしく! それは愛の歌 飛び去って行くの 悲しく そして狂おしく! それは愛の歌 それは愛の歌! 新しいバラがほほ笑んでいます 春に ああ!どれほど長く生きていられるのでしょう? どれほど長く生きていられるのでしょう? 生きていられるのでしょう? ああ! 【ホフマン】 それは愛の歌 飛び去っていく 悲しく! 【アントニア】 悲しく そして狂おしく それは飛び去って行く 悲しく そして狂おしく! 【アントニア、ホフマン】 それは愛の歌 飛んで行く 悲しく そして狂おしく それは愛の歌 それは愛の歌 【ホフマン】 炎の光があなたの美しさを照らし出す あなたは夏を見るだろうか 魂の花よ? あなたは夏を見るだろうか 魂の花よ?魂の花よ? 【アントニア】 それは愛の歌 飛び去っていく… 【アントニア、ホフマン】 悲しく そして狂おしく それは飛び去って行く 悲しく そして狂おしく! それは愛の歌 飛んで行く 悲しく そして狂おしく それは愛の歌 それは愛の歌! (アントニアは彼女の手を胸に当てて そして気絶しそうになる) シェーナ H 【ホフマン】 (アントニアへ) どうしたんだ? 【アントニア】 (手を胸に当てて) 何でもないわ! 【ホフマン】 (聞き耳をたてて) シッ! 【アントニア】 まあ!あれは私のお父さまだわ!来て! (彼女は出て行く) 【ホフマン】 (彼女を追って行こうとするが すぐ気を変えて) いいや! 私は知りたいんだ あの言葉の謎を (彼は窓の窪みに隠れる クレスペルが現れる) 【クレスペル】 居ない! 思ったのだが ホフマンがここにいると? 奴め 悪魔に喰われてしまえ! 【ホフマン】 (独白) 御免だな! 【フランツ】 (入って来て クレスペルに) ムッシュー! 【クレスペル】 何だ? 【フランツ】 ドクター・ミラクルが 【クレスペル】 馬鹿者!恥知らず! すぐにドアを閉めろ! 【フランツ】 はい ムッシュー お医者さまの… 【クレスペル】 奴が医者だと? 違う 魂にかけて! 墓掘りだ 殺し屋だ! わしの娘を殺すつもりだ わしの妻に続いて! わしには聞こえるぞ 奴の薬瓶がカチカチ鳴る音が 宙で! わしから遠くへ追っ払ってくれ! 【ドクター・ミラクル】 (突然現れる フランツは逃げ出す) ハ!ハ!ハ!ハ! 【クレスペル】 地獄だ! 【ドクター・ミラクル】 さて!やって参りましたぞ! この私が! かの善良なるムッシュー・クレスペル! 私は大好きですよ! どこにおられますかな? 【クレスペル】 (彼を止めようと) 畜生め! 【ドクター・ミラクル】 ハ!ハ!ハ!ハ! 私は探しに来たんですよ 私たちのアントニアをね! さて!病気をあの娘は受け継いでますかな 母親から? ずっと進行中ですかな? 愛しの美少女!私たちで癒しましょう! 私をお連れ下さい あの娘のそばに 【クレスペル】 殺すためにか? 一歩でも動いてみろ 貴様を窓から放り出してやる! 【ドクター・ミラクル】 おやおや!落ち着きなされ! 私はあなたを不快にするつもりはありませんぞ! (彼は肘掛け椅子の方に進む) 【クレスペル】 何をしとるか?裏切り者め? N° 21. 三重唱 【ドクター・ミラクル】 危険を避けるには まず必要です 診断が 【ホフマン】 (独白) 恐怖が私を貫くぞ! 【クレスペル】 (独白) 恐怖がわしを貫くぞ! 【ホフマン】 恐怖が私を貫くぞ! 【クレスペル】 恐怖がわしを貫くぞ! 【ドクター・ミラクル】 (アントニアの部屋の方に手を伸ばして) 私にさせてください 診察を! 私の勝利する力に 従うのです 潔く! 従うのです 潔く! さあ! 【ホフマンとクレスペル】 恐怖と戦慄のために 【ドクター・ミラクル】 私の近くに来なさい 恐れることなく… 【ホフマンとクレスペル】 全身が凍り付く! 【ドクター・ミラクル】 ここに来て座るのです! 【ホフマンとクレスペル】 奇妙な恐怖が私を縛り付ける この場所に! ああ!恐ろしや! 【ドクター・ミラクル】 私の勝利する力に 恐れることなく従うのです! 【ホフマンとクレスペル】 恐怖と戦慄で 【ドクター・ミラクル】 さあ!私の近くに来なさい 恐れることなく.! 【ホフマンとクレスペル】 全身が凍り付く! 【ドクター・ミラクル】 ここに来て座るのです! 【ホフマンとクレスペル】 奇妙な恐怖が私を縛り付ける この場所に! ああ!恐ろしや!ああ!恐ろしや! 【ドクター・ミラクル】 私の勝利する力に さあ!私の近くに来なさい 恐れることなく.!恐れることなく! 【クレスペル】 (クラブサンの椅子に座って) さあ話ぜ!だが短くだぞ! (ドクター・ミラクルは手ぶりを続ける アントニアの部屋のドアがゆっくりと開き 彼はアントニアの手を取って彼女を肘掛け椅子の一つのそばに連れて行き彼女を座らせるジェスチャーをする) 【ドクター・ミラクル】 そこに座ってください! 【クレスペル】 わしは座っておるぞ (ドクター・ミラクルは手ぶりをする) 【ドクター・ミラクル】 (クレスペルに答えることなく) おいくつですかな 失礼ですが? 【クレスペル】 誰が?わしか? 【ドクター・ミラクル】 私はあなたのお子さんと話しているのです 【ホフマン】 アントニア! 【ドクター・ミラクル】 おいくつですか?答えなさい!必要なのです! (彼は聞く) 二十歳ですか!… 人生の春ですな! 見せて 見せてください その手を? (彼は脈拍を測る身ぶりをする) 【クレスペル】 手だと? 【ドクター・ミラクル】 (時計を取り出して) シッ!私が数えますよ 【ホフマン】 (独白) 神よ!私は夢に弄ばれているのか? あれは幽霊なのか? 【ドクター・ミラクル】 脈が乱れて激しいですな 良くない症状です! 歌いなさい! 【クレスペル】 (立ち上がって) だめだ だめだ 黙れ!あの子に歌わせるな! 【ドクター・ミラクル】 歌いなさい! (アントニアの声が空に聞こえてくる) 【アントニア】 (舞台裏から) ああ!… (ドクター・ミラクルはアントニアについて行くような身振りをする 部屋への扉が突然閉まる) 【ドクター・ミラクル】 (立ち上がって) ご覧なさい 顔に生気が 瞳に炎が 彼女は鼓動する胸に手を当てていますぞ! 【クレスペル】 何を言っておるのだ こやつは? 【ドクター・ミラクル】 (椅子の場所を元に戻しながら) それは本当に残念なことですな 死に委ねてしまうとは こんな美しい獲物を! 【クレスペル】 黙れ!黙れ! (クレスペルは別の肘掛け椅子を激しく押す) 【ドクター・ミラクル】 もしあなたがお望みなら 私の助けを もしあなたが救いたいのなら あの娘の命を (彼は小瓶をいくつか自分のポケットから取り出し カスタネットのように鳴らす) 私はここに持っていますぞ 取っておきの妙薬の小瓶を… 【クレスペル】 黙れ! 【ドクター・ミラクル】 必要なのは… 【クレスペル】 黙れ!神はわしに禁じたのだ 貴様の言葉に耳を傾けることをな 酷い人殺しめ! 【ドクター・ミラクル】 これを飲まねばならんのです 毎朝 毎朝… ああ!そう 聞こえますとも! 今すぐに!一瞬で! この小瓶ですよ!気の毒なお父さん! あなたにもきっとご満足いただけるでしょう 【ホフマン】 アントニア! 【クレスペル】 出て行け!立ち去れ わしから 悪魔め 【ドクター・ミラクル】 ああ!大満足をですよ! ああ! 【ホフマン】 アントニア! 【クレスペル】 出て行け!立ち去れ わしから 悪魔め 思い知れ 怒りと痛みを 【ホフマン】 あなたを待っている死から 私にできたなら 哀れな子よ あなたを救い出すことが 私はそれを願っている! 【ドクター・ミラクル】 ああ!そう 聞こえますとも! 今すぐに!一瞬で! この小瓶です 気の毒なお父さん! あなたにもきっとご満足いただけるでしょう ああ!そう 聞こえますとも! あなたの言うことはね そう 今すぐに 一瞬で! 【クレスペル】 思い知れ 怒りと痛みを 怒りと痛みを この父親の! 出て行け 出て行け! サタンめ!サタンめ! 出て行け 出て行け 出て行け この家から わしの家から サタンめ! 【ホフマン】 貴様 あざ笑っても無駄だぞ 父親を サタンめ! サタンめ あざ笑っても無駄だ 貴様 あざ笑っても無駄だぞ 父親を! サタンめ!サタンめ! 【ドクター・ミラクル】 あなたにもきっとご満足いただけるでしょう! この小瓶でね そう! この小瓶ですよ!気の毒なお父さん! あなたにもきっと 私には分かります あなたにもきっと 私には分かります 死が待っているんですよ! 【クレスペル】 わしの家から! 思い知れ 怒りを 怒りを そして痛みを この父親の! そうだ 痛みを この父親の! 恐れよ 痛みを この父親の! 出て行け!出て行け! 【ドクター・ミラクル】 これを飲まねばならんのです… 【クレスペル】 出て行け! 【ドクター・ミラクル】 毎朝.. 【クレスペル】 出て行け! 【ホフマン】 アントニア! 【ドクター・ミラクル】 これを飲まねばならんのです…毎朝! 【クレスペル】 出て行け!出て行け! シェーナ J 【ホフマン】 もう歌えない! ああ!どうして彼女から貪るのだ そのような犠牲を? (アントニアが現れる) 【アントニア】 あら!私のお父さまが 父は何と言ったのです? 【ホフマン】 (彼女の手を取って) 何も聞かないで 後で あなたはすべてを知ることになる 新しい道が開かれるのだ 私たちには おお私のアントニア! 私について来るには 捨ててほしい あなたの記憶は この未来の夢 成功と栄光を あなたの心が私に委ねていた! 【アントニア】 あなたまで同じことを? 【ホフマン】 愛が 私たち二人を招いている すべては あなたが居なければ もはや 何もないのだ 私の人生には! 私の人生には! 【アントニア】 (沈黙の後) いいわ!約束する! 【ホフマン】 ああ!愛しのアントニア 私は感謝しきれないよ あなたは私のためにしてくれることには? (彼は彼女の手にキスをする) あなたの父が戻って来られるかも知れない 行かなければ…明日また 【アントニア】 また明日 (ホフマンは出て行く アントニアは彼を見送り しばらくして舞台に戻ってくる) 【アントニア】 お父さまとあの方もあっさり同意されたわ! それじゃ 泣いても無駄ね 約束したのよ もう歌わないって (彼女は椅子の中に倒れ込む) N° 22. 三重唱 【ドクター・ミラクル】 (突然アントニアの後ろに現れて彼女の耳に顔を近づける) もう歌わないのですか?お分かりか どれほどの犠牲を 払っているのかを あなたの若さが そしてあなたはそれを測れていますか? 優美さ 美しさ 才能 神からの贈り物 すべての天があなたに分け与えてくれたものを 埋没させてしまおうというのですか 家庭の片隅に? あなたは聞きませんでしたか 誇り高い夢の中で まるで森のように 風に揺さぶられる あの甘美なとよめきが 押しかけて来た群衆の あなたの名前をささやき そしてあなたをその目で追っている? これは熱烈な喜び 永遠の祝宴! あなたの二十歳が花咲いているのに それを捨て去るなんて! そんな小市民の喜びのために あなたを縛り付けようとしている そして子供の世話に明け暮れて 台無しになるのですよ あなたの美貌は! 【アントニア】 (振り返らずに) ああ!なんという声なのですか 私の心を悩ます! あれは悪魔なの 話しているのは それとも神さまが私に警告してらっしゃるの? いいえ!いいえ!これは幸せではないわ 呪われた声よ! そして私の誇りを捨ててでも 愛を貫くのです! 栄光には価値などないわ 幸せな影の 私を呼んでいるのだから 私の愛する方の家庭が! 【ドクター・ミラクル】 何の愛なのですか あなたのものは? ホフマンはあなたを犠牲にしますよ その残酷さで! 彼はあなたを好きではない あなたの美貌の他は そして彼もまた他の男と変わりませんよ まもなく来るでしょう 不倫の時が (彼は消える) 【アントニア】 (立ち上がって) いいえ!私をもう誘惑しないで!あっちへ行って!悪魔! 私はもう聞きたくないわ お前の言うことなど! 私は誓ったの あの方のものになると! 私の愛する方は私を待っているの 私はもう自分のものではない もうできないの 後戻りすることは! そしてたった今も あの人の愛する心は 永遠の愛をあの人は私に誓って下さったのです! ああ!誰が私を救ってくれるの この悪魔から 私自身から? (母親の肖像画を見て) 私のお母さま!おお私のお母さま! 私はあの方を愛しています!愛しているのです! 【ドクター・ミラクル】 (再び現れて) あなたのお母さん?あえて呼ぶのですか? あなたのお母さんを? だが彼女ではないですかな 話しているのは 私の声を通じて? 親不孝者 あなたに思い出させてるんですよ 彼女の名声の素晴らしさを あなたが捨てようとしている 聞きなさい! (肖像画が生気を帯びる) 【声】 アントニア! 【アントニア】 まさか! 【ドクター・ミラクル】 聞きなさい! 【声】 アントニア! 【ドクター・ミラクル】 聞きなさい! 【アントニア】 神さま!私のお母さま お母さまだわ! 【声】 いとしい子よ!私は呼んでいるのです 昔のように お前の母さんだよ わたしだよ 聞きなさい この声を! いとしい子よ!私は呼んでいるのです 昔のように お前の母さんだよ わたしだよ 聞きなさい この声を! 【アントニア】 ああ!あれは私のお母さまだわ!お母さまだわ! お母さまの魂が私を呼んでいる! 【ドクター・ミラクル】 あれは彼女の声です 聞こえますか? 彼女の声 最高の相談相手の あなたに才能を遺してくれた この世にまたとない 【声】 アントニア! 【ドクター・ミラクル】 聞きなさい!聞きなさい! 【声】 アントニア! 【ドクター・ミラクル】 彼女は再びよみがえったようですね そして遥かな聴衆の 喝采に酔っているのですよ! 【声】 アントニア! 【アントニア】 お母さま!お母さま! 【ドクター・ミラクル】 では彼女と一緒に再び始めなさい (彼はヴァイオリンを掴んで激しく弾き始める) 【アントニア】 お母さまの お母さまの魂が私を呼んでいる! 【声】 アントニア! 【ドクター・ミラクル】 では再び始めなさい 再び始めなさい 【アントニア】 私のお母さま! 【声】 アントニア! 【ドクター・ミラクル】 再び始めなさい 彼女と一緒に 【アントニア】 私のお母さま!私のお母さま!ああ… 【声】 ああ… 【ドクター・ミラクル】 彼女と一緒に再び始めなさい 【声】 いとしい子を私は呼んでいるのです 昔のように あなたの母ですよ お聞きなさい この声を! お聞きなさい この声を! 【アントニア】 そうよ あの魂は私を呼んでいるわ 昔のように! あれはお母さまよ!あれはお母さまよ! 私には声が聞こえる 【ドクター・ミラクル】 そうだ あの魂があなたを呼んでいる 昔のように! あれはあなたのお母さんだ 彼女なのだ!お聞きなさい あの声を!お聞きなさい あの声を! 【声】 いとしい子を私は呼んでいるのです 昔のように!お聞きなさい 私の声を! 【アントニア】 ええ 私はあの声が聞こえるわ! ああ!私のお母さま!ああ!私のお母さま!ああ… 【ドクター・ミラクル】 そうだ あの魂が呼んでいるのだ 昔のように! 聞きなさい あの声を!聞きなさい あの声を! 【アントニア】 いいえ!十分よ!私は屈服するのは嫌 もう歌いません! 【ドクター・ミラクル】 もう一度!もう一度! 【アントニア】 何という熱情が 何という熱情が 【ドクター・ミラクル】 もう一度! 【アントニア】 私に燃え上がるの 私を貪るの? 【ドクター・ミラクル】 なぜやめるのかね? あれはあなたの母だ 母なのだよ! あの魂はあなたを呼んでいる 昔のように! お聞きなさい あの声を!そう あなたのお母さんがあなたを呼んでいる! 【アントニア】 私のお母さま!聞こえるの あの声が 【声】 いとしい子を私は呼んでいるのです 【ドクター・ミラクル】 そうだ!あの魂があなたを呼んでいるのだ! 【声】 私はお前を呼んでいるのよ 昔のように! 【アントニア】 ああ!…そうよ お母さまの魂が私を呼んでいるの!ああ!… 【声】 私の声はお前を呼んでいます! 【ドクター・ミラクル】 あの声があなたを呼んでいるのだ! 【アントニア】 そう あの魂が私を呼んでいるの 昔のように! あれは私のお母さまだわ!お母さまだわ! 聞こえるの あの声が! そう あの魂が私を呼んでいるの 昔のように! ああ!あれは私のお母さまだわ! 聞こえるの あの声が! 【声】 いとしい子を私は呼んでいるのです 昔のように! あなたの母ですよ 母ですよ! 聞きなさい この声を! いとしい子を私は呼んでいるのです 昔のように! いとしい子よ! そう お聞きなさい この声を! 私の声を 【ドクター・ミラクル】 そうだ あの魂があなたを呼んでいる!あれはあなたの母なのだ 母なのだ 昔のような! 聞きなさい あの声を!聞きなさい あの声を! そうだ あの魂があなたを呼んでいる! あれはあなたの母なのだ 母なのだ あれはあなたの母なのだ あれはあなたの母なのだ そうだ 聞きなさい あの声を! あの声を (彼はバイオリンを猛然と弾く) 【アントニア】 (喘ぎながら) 私は屈します 私を苦しめるこの興奮に!… (ドクター・ミラクルは同じように弾いている) 何という炎が私の目を眩惑するの? (ドクター・ミラクルは同じように弾いている) 何という炎が 何という眩しい炎が 私の目を眩惑するの? 私の目を眩惑するの? 私の目を眩惑するの? 私の目を眩惑するの? ああ!…あとほんのわずかしか もう生きられないのでしょう! 【声】 私の声はお前を呼んでいます 【ドクター・ミラクル】 歌いなさい!歌いなさい! 【アントニア】 あとほんのわずかしか もう生きられないのでしょう 【声】 私の声はお前を呼んでいます 私の声はお前を呼んでいます! 【ドクター・ミラクル】 歌いなさい もっと! 【アントニア】 そして私の魂が飛んで行けますように 天国へと!ああ!… 【声】 私の声はお前を呼んでいます 昔のように! 【ドクター・ミラクル】 あの声があなたを呼んでいるぞ! 【アントニア】 そして私の魂が飛んで行けますように 天国へと! そして私の魂が飛んで行けますように 天国へと! 【声】 歌いなさい ずっと 娘や! 歌いなさい! 【ドクター・ミラクル】 歌いなさい!あの声があなたを呼んでいるぞ! ずっと あの魂があなたを呼んでいるのだ 昔のように! 【アントニア】 あとほんのわずかしか もう生きられないのでしょう 【声】 私の声はお前を呼んでいます! 【ドクター・ミラクル】 歌いなさい ずっと! 【アントニア】 そして私の魂が飛んで行けますように 天国へと! そして私の魂が飛んで行けますように 天国へと! 【声】 歌いなさい!歌いなさい!私の声はお前を呼んでいます 昔のように! 歌いなさい ずっと ずっと 【ドクター・ミラクル】 歌いなさい!歌いなさい! あの声があなたを呼んでいるぞ! 歌いなさい 歌いなさい ずっと! 【アントニア】 私は屈します 私を苦しめるこの興奮に!… 何という炎が私の目を眩惑するの? あとほんのわずかしか もう生きられないのでしょう! 【声】 いとしい子を私は呼んでいるのです! いとしい子を私は呼んでいるのです 昔のように! ああ!… 【ドクター・ミラクル】 それは母の声なのだ あなたを呼んでいる それは母の声なのだ あなたを呼んでいる 昔のように! 【アントニア】 ああ!…あとほんのわずかしか もう生きられないのでしょう! そして私の魂が飛んで行けますように 天国へと! 【声】 私の魂はお前を呼んでいる お前を呼んでいる! お聞き 私の声を!お聞き 私の声を! 【ドクター・ミラクル】 あの魂があなたを呼んでいる あなたを呼んでいる! 聞きなさい あの声を!聞きなさい あの声を! (肖像画は初めの姿に戻り ドクター・ミラクルは一瞬の笑いと共に大地に沈み込んで行く) N° 23. フィナーレ 【クレスペル】 (急いで) わが子よ!わが娘よ!アントニア! 【アントニア】 (喘ぎながら) お父さま!聞いてください!あれはお母さま お母さまが私を呼んでいるのです! そしてあの方が戻ってこられたのです! それは愛の歌 愛の歌 それは飛び去って行く 悲しく そして狂おしく… ああ…それは愛の歌! (彼女は死ぬ) 【クレスペル】 だめだ!あと一言 一言 わが娘よ! わしに話してくれ!わが娘よ! 話してくれ!…死んではいかん! だめだ!憐れみを!憐れみを!お慈悲を!… 行ってしまう お前は…わが娘よ! (入ってきたホフマンに) ホフマン!ああ!酷い奴め! 貴様だな 貴様だな この子を殺したのは 血で こいつの頬を染めてやる! (ナイフを手に取ってホフマンを襲う) 武器だ!ナイフだ!ナイフだ! 【ニクラウス】 (それを止めて) 不幸な人だ! 【ホフマン】 (ニクラウスへ) 急いで!知らせを伝えてくれ! 医者だ!医者だ! 【ドクター・ミラクル】 (現れて) 居りますぞ! (彼はアントニアを見て彼女の手を取るが それは生気なく垂れる) ご臨終ですな! 【クレスペル】 (激しく) ああ!神よ!わが子が!わが娘が! 【ホフマン】 (絶望して) アントニア! (フランツは最後にやってきてアントニア近くでひざまずく) 第2景 第1幕の居酒屋 N° 25. 情景 【ホフマン】 これが私の愛の物語さ この記憶は私の心の中に残るだろう 永遠に (舞台裏で歓声が上がる 叫んでいる「ステラ!ステラ!」と) 【ルーテル】 大成功でしたよ! 喝采しましょう われらのプリマドンナを! 【リンドルフ】 (独白) こいつはもう心配ない わしのものだ あの歌姫は! (彼は出て行く) 【ホフマン】 ステラ! 【ナタナエル】 何の関わりがステラに? 【ニクラウス】 (ひらめいて立ち上がり) わかったぞ! 三つのドラマはひとつのドラマの中なんだ オランピア…アントニア…ジュリエッタ… 同じひとりの女なんだ ステラさ! 【学生たち】 ステラだ! 【ニクラウス】 乾杯だ その慈悲深い女に! 【ホフマン】 (激怒して) これ以上言ってみろ 私の魂にかけて 君をこのように粉々にしてやる! (彼はグラスを床に投げつける) 【ニクラウス】 (非難する調子で) ぼくは君の相談相手だぞ!失敬な! 【ホフマン】 ああ!私はいかれてるのさ!われらに神の酩酊を アルコールの精の ビールの ワインの! われらに酔いと狂気を! 何もかも忘れてしまおう! N° 26. コーラス 【ニクラウス】 気分直しだ パンチで! 【ナタナエル ヘルマン 学生たち】 気分直しだ パンチで! 【ニクラウス】 酔っ払おうぜ! 【ナタナエル ヘルマン 学生たち】 酔っ払おうぜ! 【ニクラウス】 一番酔いつぶれた奴から転がれ テーブルの下に! 【ナタナエル ヘルマン 学生たち】 一番酔いつぶれた奴から転がれ テーブルの下に! ルーテルはいい奴だ ティロ ロ レール ティロ ロ ラ! 明日はぶちのめしてやる ティロ ロ レール ティロ ロ ラ! 奴の酒蔵は凄いぞ ティロ ロ レール ティロ ロ ラ! 明日は空っぽにしてやるけどな ティロ ロ レール ティロ ロ ラ! 朝まで一杯に 一杯にしてくれ 俺のグラスを! 朝まで一杯にしてくれ ブリキのポットを! 朝まで一杯に 一杯にしてくれ 俺のグラスを! 朝まで 朝まで 一杯に 一杯にしてくれ ブリキのポットを!ブリキの! (学生たちは隣の部屋に入って騒いでいる ホフマンは押し黙って残っている) 【ニクラウス】 (ホフマンに) おい! 大丈夫かい ホフマン! (ホフマンは答えることなく物思いに耽っている ニクラウスが登場しホフマンを指さす) 【ヘルマン】 完全に酔いつぶれてしまってますよ! N° 27. シェーナの音楽とロマンス (ホフマンは打ちひしがれてテーブルに倒れる 背後の大きな樽が明るく輝き ミューズが輝く後光に包まれているのが見える) 【ミューズ】 では私は? 私は忠実な友ですよ この手であなたの目を拭いましたでしょう? 苦しみを眠らせ 運んでいきましたでしょう 夢を天に? どうでもいいのですか 私のことは? この情熱の嵐は静まるのです あなたの中で! ただの男ではもはやない 生まれ変わった詩人なのです! 私はあなたを愛しています ホフマン! 私のものにおなりなさい! 【ホフマン】 (恍惚として そしてミューズに惹かれるかのように) おお神よ!何という陶酔が抱きしめるのでしょう 私の魂を! 神の音楽のようにあなたの声が私に染みわたってくる! 甘く燃え上がる炎が私を焼き尽くすのです! あなたの眼差しが私の目の中に注ぎ込むのです その炎を まるで輝く星たちのように! そして私は感じます おおわが最愛のミューズよ 通り過ぎるのを あなたのさわやかな息が 私の唇に そして私の目に! 通り過ぎるのを あなたのさわやかな息が 私の唇に 私の唇に そして私の目に! 愛するミューズよ 私はあなたのものです! (彼は酔いつぶれて倒れ込む ステラが入ってきてゆっくりと近づく) 【ステラ】 ホフマン?眠っているの!… N° 28. フィナーレ 【ニクラウス】 いいえ すっかり酔いつぶれてるんです 遅すぎますよ マダム 【リンドルフ】 (入ってきて) 馬鹿めが! 【ニクラウス】 ご覧なさい 顧問官リンドルフだ あなたをお待ちですよ (ホフマンはミューズに守られている ステラはリンドルフに連れられて行くがホフマンからは目が離せない 幾人かの学生たちが歌いながら舞台に出てくる 残りは舞台の外にいる) 【学生たちのコーラス】 朝まで一杯に 一杯にしてくれ 俺のグラスを! 朝まで一杯にしてくれ ブリキのポットを! 朝まで一杯に 一杯にしてくれ 俺のグラスを! 朝まで 朝まで 一杯に 一杯にしてくれ ブリキのポットを! ブリキの! 終わり Acte IV Premier Tableau - Antonia À Venice, chez Crespel. Une chambre bizarrement meublée. À droite un clavecin. Violons suspendus au mur; à gauche une fenêtre en pan coupé. Au fond, entre deux portes, un grand portrait de femme accroché au mur. Soleil couchant. N° 18. Romance ANTONIA (Elle est assise devant le clavecin) Elle a fui, la tourterelle! (se levant) Ah! souvenir trop doux! Image trop cruelle! Hélas! à mes genoux Je l’entends, je le vois! Hélas! à mes genoux je le vois! je l’entends, je le vois! Elle a fui, la tourterelle, Elle a fui loin de toi; Mais elle est toujours fidèle E te garde sa foi! Mon bien-aimé, ma voix t’appelle, Oui, tout mon coeur est à toi! Tout mon coeur est à toi! Tout mon coeur est à toi! Elle a fui, la tourterelle, Elle a fui, elle a fui loin de toi! (Elle se rapproche du clavecin et continue, debout, en feuilletant la musique) Chère fleur qui viens d’éclore, Par pitié réponds moi! Toi qui sais s’il m’aime encore, S’il me garde sa foi! Mon bien-aimé, ma voix t’implore, Ah! que ton coeur vienne à moi! que ton coeur vienne à moi! que ton coeur vienne à moi! Elle a fui, la tourterelle, Elle a fui, elle a fui loin de toi! (Elle se laisse tomber sur la chaise qui est devant le clavecin) F Scène CRESPEL Malheureuse enfant! Fille bien-aimée! Tu m’avais promis de ne plus chanter? ANTONIA Ma mère s’était en moi ranimée! Mon coeur, en chantant, croyait l’écouter. CRESPEL C’est là mon tourment; ta mère chérie T’a légué sa voix! Regrets superflus! Par toi je l’entends. (avec force) Non! Non! Je t’en prie! ANTONIA (tristement) Votre Antonia ne chantera plus. (elle sort lentement) CRESPEL Désespoir! Tout-à-l’heure, encor, Je voyais ces taches de feu colorer son visage! Dieu! perdrai-je l’enfant que j’adore? Ah! cet Hoffmann, c’est lui qui jeta dans son coeur ces ivresses! J’ai fui jusqu’à Munich! (à Frantz, qui entre eu ce moment) Frantz, n’ouvre à personne! FRANTZ Vous croyez? (Il va pour sortir) CRESPEL Où vas-tu? FRANTZ Je vais voir si l’on sonne, Comme vous avez dit. CRESPEL J’ai dit N’ouvre à personne! (lui criant à l’orielle) A personne! Entends-tu, cette fois’ FRANTZ Eh! mon Dieu! Je ne suis pas sourd! CRESPEL Bon! Que le diable t’emporte! FRANTZ Oui, Monsieur la clef sur la porte. CRESPEL Bélître! Âne bâté! FRANTZ C’est convenu! CRESPEL (furieux) Morbleu! (Il sort vivement. Frantz va fermer la porte et redescend en scène) FRANTZ (seul) Eh bien! Quoi! Toujours en colère! Bizarre! Quinteux! Exigeant! Ah! l’on a du mal à lui plaire… Pour son argent! N° 19. Couplets Jour et nuit je me mets en quatre, Au moindre signe je me tais, C’est tout comme si je chantais! Encore non, si je chantais, De ses mépris il lui faudrait rabattre. Je chante seul quelquefois; Mais chanter n’est pas commode; Tra la, la, la, la, la, la, la, la, la, la, la, la Ce n’est pourtant pas la voix, La la, la, la, la, la, la, la, la, la, la, la, la Qui me fait défaut je crois, La la, la, la, la, la, la, la, la, la, la, la, la (Il fait un couac) Non, c’est la méthode, la méthode! Tra la, la, la, la, la, la, la, la, la, la, la, la la, la, la, la, la, la, la, la, la, la, la, la Dame! on n’a pas tout en partage. Je chante pitoyablement; Mais je danse agréablement, Je me le dis sans compliment. Corbleu! la danse est à mon avantage, C’es là, c’est là mon plus grand attrait, Et danser n’est pas commode! (Il danse en chantant) Tra la, la, la, la, la, la, la, la, la, la, la, la Près des femmes le jarret La la, la, la, la, la, la, la, la, la, la, la, la N’est pas ce qui me nuirait. La la, la, la, la, la, la, la, la, la, la, la, la (Il fait un faux pas et tombe) Non, c’est la méthode, la méthode! (Il se relève) Tra la, la, la, la, la, la, la, la, la, la, la, la (Il se laisse tomber sur une chaise) G Scène HOFFMANN (il paraît à la porte du fond) Frantz!… c’est ici! (Il descend en scène; touchaut l’épaule de Frantz) Debout, l’ami! FRANTZ Hein! qui va là? (Il se lève; surpris) Monsieur Hoffmann! HOFFMANN Moi-même! Eh bien! Antonia? FRANTZ Il est sorti, Monsieur. HOFFMANN Ah! ah! Plus sourd encore que l’an passé? FRANTZ Monsieur m’honore! Je me porte bien, grâce au ciel! HOFFMANN (élevant la voix) Antonia! Va, fais qua je la voie! FRANTZ (le regardant en souriant) Très bien! quelle joie pour Monsieur Crespel! (Il sort) N° 20. Duo (Hoffmann s’approche du clavecin, s’assied et lit le morceau qui est ouvert sur le pupître. Il chante en s’accompagnant) HOFFMANN C’est une chanson d’amour qui s’envole, Triste ou folle qui s’envole, triste ou folle. ANTONIA (entrant vivement) Hoffmann! HOFFMANN (se relevant et recevant Antonia dans ses bras) Antonia! ANTONIA Ah! je le savais bien qua tu m’aimais encore. HOFFMANN Mon coeur m’avait bien dit que j’étais regretté! Mon coeur m’avait bien dit que j’étais regretté! J’ai le bonheur dans l’âme! Demain tu seras ma femme! Heureux époux, heureux époux, L’avenir est à nous! est à nous! ANTONIA J’ai le bonheur dans l’âme! Demain je serai ta femme Heureux époux, heureux époux, l’avenir est à nous! est à nous! ANTONIA, HOFFMANN A l amour soyons fidèles! Que ses chaînes éternelles HOFFMANN Ah! gardent nos cœurs ANTONIA Oui, gardent nos cœurs ANTONIA, HOFFMANN Du temps même vainqueurs! A l amour soyons fidèles! HOFFMANN J’ai le bonheur dans l’âme! ANTONIA J’ai le bonheur dans l’âme! Demain je serai ta femme Heureux époux, HOFFMANN J’ai le bonheur dans l’âme! Demain je serai ma femme Heureux époux, ANTONIA, HOFFMANN L’avenir est à nous! L’avenir est à nous! HOFFMANN Pourtant, ô ma fiancée, Te dirai-je une pensée Qui me trouble malgré moi? La musique m’inspire un peu de jalousie; Tu l’aime trop! ANTONIA (souriant) Voyez l’étrange fantaisie! T’aimé-je donc pour elle Ou l’aimé-je pour toi? Car toi tu ne vas pas me défendre de chanter Comme a fait mon père? HOFFMANN Que dis-tu! ANTONIA (mystérieusement) Oui, mon père à present m’impose la vertu du silence. Veux-tu m’en tendre? HOFFMANN (à part) C’est étrange! est-ce donc?… ANTONIA (avec force) Viens là comme autrefois! Viens là, écoute et tu verras si j’ai perdu ma voix. HOFFMANN Comme ton oeil s’anime Et comme ta main tremble! ANTONIA Tiens ce doux chant d’amour Que nous chantions ensemble HOFFMANN Ce doux chant d’amour ANTONIA Que nous chantions ensemble! HOFFMANN Ensemble. ANTONIA (s’accompagnant sur le clavecin) C’est une chanson d’amour qui s’envole triste ou folle, Qui s’envole triste ou folle tour à tour! C’est une chanson d’amour qui s’envole triste ou folle! C’est une chanson d’amour, C’est une chanson d’amour! La rose nouvelle sourit au printemps, Las! combien de temps vivra-t-elle? Combien de temps vivra-t-elle? vivra-t-elle? Ah! HOFFMANN C’est une chanson d’amour qui s’envole triste! ANTONIA triste ou folle, Qui s’envole triste ou folle tour à tour! ANTONIA, HOFFMANN C’est une chanson d’amour qui s’envole, triste ou folle, C’est une chanson d’amour, C’est une chanson d’amour. HOFFMANN Un rayon de flamme pare ta beauté. Verras-tu l été, Fleur de l âme? Verras-tu l été, Fleur de l âme? Fleur de l âme? ANTONIA C’est une chanson d’amour qui s’envole… ANTONIA, HOFFMANN triste ou folle, Qui s’envole triste ou folle tour à tour! C’est une chanson d’amour qui s’envole, triste ou folle, C’est une chanson d’amour C’est une chanson d’amour! (Antonia porte la main à son cœur, et semble prête à défaillir) H Scène HOFFMANN (à Antonia) Qu’as-tu donc? ANTONIA (mettant la main sur son cœur) Rien! HOFFMANN (écoutant) Chut! ANTONIA Ciel! C’est mon père! Viens! (Elle sort) HOFFMANN (se disposant à la suivre, puis se ravisant) Non! Je saurai le mot de ce mystère. (Il se cache dans l’embrasure de la fenêtre. Crespel paraît) CRESPEL Rien! J’ai cru qu’Hoffmann était ici? Puisse-t-il être au diable! HOFFMANN (à part) Grand merci! FRANTZ (entrant, à Crespel) Monsieur! CRESPEL Quoi? FRANTZ Le docteur Miracle. CRESPEL Drôle! infâme! Ferme vite la porte! FRANTZ Oui, monsieur, médecin… CRESPEL Lui, médecin? Non, sur mon âme! Un fossoyeur, un assassin! Que me tuerait ma fille, après ma femme! J’entends le cliquetis de ses flacons dans l’air! Loin de moi qu’on le chasse! DOCTEUR MIRACLE (paraissaut subitement. Frantz s’enfuit) Ah! ah! ah! ah! CRESPEL Enfer! DOCTEUR MIRACLE Eh bien! me voilà! C’est moi-même! Ce bon monsieur Crespel! Je l’aime! Où donc est il? CRESPEL (l’arrêtant) Morbleu! DOCTEUR MIRACLE Ah! ah! ah! ah! Je cherchais notre Antonia! Eh bien! Ce mal qu’elle hérita de sa mère? Toujours en progrès? Chère belle! Nous la guérirons! Menez-moi près d’elle. CRESPEL Pour l’assassiner? Si tu fais un pas je te jette par la fenêtre! DOCTEUR MIRACLE Eh là! tout doux! Je ne veux pas vous déplaire! (Il avance un fauteuil.) CRESPEL Que fais-tu? traître? N° 21. Trio DOCTEUR MIRACLE Pour conjurer la danger, Il faut le reconnaître, HOFFMANN (à part) L’effroi me pénètre! CRESPEL (à part) L’effroi me pénètre! HOFFMANN L’effroi me pénètre! CRESPEL L’effroi me pénètre! DOCTEUR MIRACLE (la main étendue vers la chambre d’Antonia) Laissez-moi l’interroger! A mon pouvoir vainqueur Cède de bonne grâce! Cède de bonne grâce! Viens! HOFFMANN ET CRESPEL D’épouvante et d’horreur DOCTEUR MIRACLE Près de moi sans terreur… HOFFMANN ET CRESPEL Tout mon être se glace! DOCTEUR MIRACLE Viens ici prendre place! HOFFMANN ET CRESPEL Une étrange terreur M’enchaîne A cette place! Ah! j’ai peur! DOCTEUR MIRACLE A mon pouvoir vainqueur Cède sans terreur! HOFFMANN ET CRESPEL D’épouvante et d’horreur, DOCTEUR MIRACLE Viens! Près de moi sans terrerur! HOFFMANN ET CRESPEL Tout mon être se glace! DOCTEUR MIRACLE Viens ici prendre place! HOFFMANN ET CRESPEL Une étrange terreur M’enchaîne A cette place! Ah! j’ai peur! Ah! j’ai peur! DOCTEUR MIRACLE A mon pouvoir vainqueur, Viens près de moi, et sans terreur! sans terreur! CRESPEL (s’asseyant sur le tabouret du clavecin) Allons, parle! et sois bref! (Le Docteur Miracle continue des passes magnétiques; la porte de la chambre d’Antonia s’ouvre lentement. Il indique par ses gestes qu’il prend la main d’Antonia, qu’il la méne prés de l’un des fauteuils et la fait s’asseoir) DOCTEUR MIRACLE Veuillez vous asseoir là! CRESPEL Je suis assis. (Le Docteur Miracle fait des passes) DOCTEUR MIRACLE (sans répondre à Crespel) Quel âge avez-vous, je vous prie? CRESPEL Qui? Moi? DOCTEUR MIRACLE Je parle à votre enfant. HOFFMANN Antonia! DOCTEUR MIRACLE Quel âge? répondez! Je le veux! (Il écoute) Vingt ans!… Le printemps de la vie! Voyons, voyons la main? (Il fait le geste d’un homme qui tâte le pouls) CRESPEL La main? DOCTEUR MIRACLE (tirant sa montre) Chut! laissez-moi compter. HOFFMANN (à part) Dieu! suis-je le jouet d’un rêve? Est-ce un fantôme? DOCTEUR MIRACLE Le pouls est inégal et vif, Mauvais symptôme! Chantez! CRESPEL (se levant) Non, non, tas-toi! ne la fais pas chanter! DOCTEUR MIRACLE Chantez ! (La voix d’Antonia se fait entendre dans l’air) ANTONIA (dans la coulisse) Ah!… (Le Docteur Miracle semble suivre Antonia du geste; la porte de la chambre se referme brusquement) DOCTEUR MIRACLE (se levant) Voyez, son front s’anime et son regard flamboie, Elle porte la main à son coeur agité! CRESPEL Que dit-il? DOCTEUR MIRACLE (remettant l’un des fauteuils en place) Il serait dommage en vérité De laisser à la mort une si belle proie! CRESPEL Tais-toi! Tais-toi! (Crespel repousse violemment l’autre fauteuil) DOCTEUR MIRACLE Si, vous voulez accepter mon secours, Si vous voulez sauver ses jours, (Il tire plusieurs flacons de sa poche et le fait sonner comme des castagnettes) J’ai là, certains flacons que je tiens en réserve… CRESPEL Tais-toi! DOCTEUR MIRACLE Dont il faudrait… CRESPEL Tais-toi! Dieu me préserve D’écouter tes conseils, misérable assassin! DOCTEUR MIRACLE Dont il faudrait chaque matin, chaque matin… Eh! oui, je vous entend! Tout à l’heure! un instant! Des flacons! pauvre père! Vous en serez, j’espère, content! HOFFMANN Antonia! CRESPEL Va-t’en! va-t’en loin de moi, Satan! DOCTEUR MIRACLE Ah! bien content! Ah! HOFFMANN Antonia! CRESPEL Va-t’en! va-t’en loin de moi, Satan! Redoute la colère et la douleur HOFFMANN A la mort qui t’attend Je saurai, pauvre enfant, T’arracher, je l’espère! DOCTEUR MIRACLE Eh! oui! je vous entend! Tout à l’heure un instant! Des flacons, pauvre père! Vous en serez content! Eh! Oui, je vous entend! Je vous entend Oui, tout à l’heure un instant! CRESPEL Redoute la colère et la douleur la douleur d’un père! Va-t’en, va-t’en! Satan! Satan! Va-t’en, va-t’en va-t’en hors de chez moi, Satan! HOFFMANN Tu ris en vain d’un père, Satan! Satan, tu ris en vain, Tu ris en vain d’un père, Satan! Satan! DOCTEUR MIRACLE Vous en serez content! Des flacons oui! Des flacons, pauvre père! Vous en serez j’espère Vous en serez j’espère La mort attend! CRESPEL hors de chez moi! Redoute la colère, la colère Et la douleur d’un père, oui la douleur d’un père! Crains la douleur d’un père! Va-t’en! va-t’en! DOCTEUR MIRACLE Dont il faudrait… CRESPEL Va-t’en! DOCTEUR MIRACLE chaque matin… CRESPEL va-t’en! HOFFMANN Antonia! DOCTEUR MIRACLE Dont il faudrait… chaque matin! CRESPEL Va-t’en! va-t’en! J Scène HOFFMANN Ne plus chanter! Hélas! comment obtenir d’elle Un pareil sacrifice? (Antonia paraît) ANTONIA Hé bien! mon père, Qu’a-t-il dit? HOFFMANN (lui prenant les mains) Ne me demande rien; Plus tard, tu sauras tout, Une route nouvelle s’ouvre à nous, ò mon Antonia! Pour m’y suivre, chaste de ta mémoire Ces rêves d’avenir, de succès et de gloire, Que ton coeur au mien confia! ANTONIA Mais, toi-même? HOFFMANN L’amour, tous les deux nous convie; Tout ce qui n’est pas toi n’est plus rien dans ma vie! Dans ma vie! ANTONIA (après un silence) Tiens donc! voici ma main! HOFFMANN Ah! chère Antonia! pourrai-je reconnaître Ce que tu fais pour moi? (Il lui baise les mains) Ton père va peut-être revenir; Je te quitte… à demain. ANTONIA A demain. (Hoffmann sort. Antonia le regarde s’éloigner. Après un moment elle redescend en scène) ANTONIA De mon père aisément il s est fait le complice! Allons, les pleurs sont superflus, Je l ai promis, je ne chanterai plus. (Elle se laisse tomber sur un fauteuil.) N° 22. Trio DOCTEUR MIRACLE (apparaissant subitement derrière Antonia et penchant à son oreille) Tu ne chanteras plus? Sais-tu quel sacrifice S’impose ta jeunesse, Et l’as tu mesuré? La grâce, la beauté, la talent, don sacré, Tous ces biens que le ciel t’a livrés en partage, Faut-il les enfouir Dans l’ombre d’un ménage? N’as-tu pas entendu dans un rêve orgueilleux Ainsi qu’une forêt par le vent balancée, Ce doux frémissement de la foule pressée Qui murmure ton nom Et qui te suis des yeux? Voilà l’ardente joie et la fête éternelle! Que tes vingt ans en fleur sont près d’abandonner! Pour les plaisirs bourgeois où l’on veut t’enchaîner Et des marmots d’enfants qui te rendront moins belle! ANTONIA (sans se retourner) Ah! quelle est cette voix qui me trouble l’esprit! Est-ce l’enfer qui parla ou Dieu qui m’avertir? Non! non! ce n’est pas là le bonheur, voix maudite! Et centra mon orgueil mon amour c’est armé! La gloire ne vaut pas l’ombre heureuse où m’invite La maison de mon bien-aimé! DOCTEUR MIRACLE Quelles amours sont donc les vôtres? Hoffmann te sacrifie à sa brutalité! Il n’aime en toi qua te beauté Et pour lui comme pour les autres Viendra bientôt le temps de l’infidélité. (il disparait) ANTONIA (se levant) Non! ne me tenta plus! va-t’en! démon! Je ne veux plus t’entendre! J’ai juré d’être à lui! Mon bien-aimé m’attend. Je ne m’appartiens plus et ne puis me reprendre! Et tout à l’heure encor, sur son coeur adoré, Quel éternel amour ne m’a-t-il pas juré! Ah! qui me sauvera du démon, de moi-même? (Regardant le portrait de sa mére) Ma mère! O ma mère! Je l’aime! je l’aime! DOCTEUR MIRACLE (reparaissant) Ta mère? Oses-tu l’invoquer? ta mère? Mais n’est-ce pas elle qui parle et par ma voix? Ingrate, te rappelle La splendeur de son nom que tu veux abdiquer. Ecoute! (Le portrait s’anime) LA VOIX Antonia! ANTONIA Ciel! DOCTEUR MIRACLE Ecoute! LA VOIX Antonia! DOCTEUR MIRACLE Ecoute! ANTONIA Dieu! ma mère, ma mère! LA VOIX Chère enfant! que j’appelle Comme autrefois, C’est ta mère, c’est elle; Entends sa voix! Chère enfant! que j’appelle Comme autrefois, C’est ta mère, c’est elle; Entends sa voix! ANTONIA Ah! c’est ma mère, c’est elle! Son âme m’appelle! DOCTEUR MIRACLE C’est sa voix, l’entends-tu? Sa voix, meilleure conseillère, Qui te lègue un talent qua le monde a perdu. LA VOIX Antonia! DOCTEUR MIRACLE Ecoute! écoute! LA VOIX Antonia! DOCTEUR MIRACLE Elle semble revivre, Et le public lointain De ses bravos l ‘enivre! LA VOIX Antonia! ANTONIA Ma mère! ma mère! DOCTEUR MIRACLE Mais reprends donc avec elle! (Il saisit un violon et accompagne avec fureur) ANTONIA Son âme, son âme m’appelle! LA VOIX Antonia! DOCTEUR MIRACLE Mais reprends donc, reprends! ANTONIA Ma mère! LA VOIX Antonia! DOCTEUR MIRACLE reprends donc avec elle! ANTONIA ma mère! ma mère! Ah!… LA VOIX Ah!… DOCTEUR MIRACLE Mais reprends donc avec elle! LA VOIX Chère enfant que j’appelle Comme autrefois, c’est ta mère, c’est elle, entends sa voix! ANTONIA Oui, son âme m’appelle Comme autrefois! C’est elle! c’est elle! J’entends sa voix! DOCTEUR MIRACLE Oui, son âme t’appelle Comme autrefois! C’est ta mère, c’est elle! entends sa voix! entends sa voix! LA VOIX Chère enfant que j’appelle Comme autrefois! Entends ma voix! ANTONIA Oui, j’entends sa voix! Ah! ma mère! Ah! ma mère! Ah!… DOCTEUR MIRACLE Oui, son âme t’appelle Comme autrefois! Entends sa voix! Entends sa voix! Entends sa voix! ANTONIA Non! assez! Je succombe et ne veux plus chanter! DOCTEUR MIRACLE Encore! encore! ANTONIA Quelle ardeur, quelle ardeur DOCTEUR MIRACLE Encore! ANTONIA m’embrase et me dévore? DOCTEUR MIRACLE pourquoi t’arrêter? C’est ta mère, c’est elle! Son âme t’appelle comme autrefois! Entends sa voix! Oui, ta mère t’appelle! ANTONIA Ma mère! j’entends sa voix! LA VOIX Chère enfant que j’appelle DOCTEUR MIRACLE Oui! c’est son âme qui t’appelle! LA VOIX Je t’appelle comme autrefois! ANTONIA Ah!… Oui, son âme m’appelle! Ah!… LA VOIX Ma voix t’appelle! DOCTEUR MIRACLE Sa voix t’appelle! ANTONIA Oui, son âme m’appelle comme autrefois! C’est ma mère! c’est elle! J’entends sa voix! Oui, son âme m’appelle comme autrefois! Ah! c’est ma mère! J’entends sa voix! LA VOIX Chère enfant que j’appelle comme autrefois! C’est ta mère, c’est elle! Entends sa voix! Chère enfant que j’appelle comme autrefois! Chère enfant! Oui, entends sa voix! Ma voix. DOCTEUR MIRACLE Oui, son âme t’appelle! C’est ta mère, c’est elle comme autrefois! Entends sa voix! Entends sa voix! Oui, son âme t’appelle! C’est ta mère, c’est elle C’est ta mère, c’est ta mère Oui, entends sa voix! Sa voix (Il joue du violon avec furie) ANTONIA (haletante) Je cède au transport qui m’énivre!… (Docteur Miracle; même jeu) Quelle flamme éblouit mes yeux? (Docteur Miracle même jeu) Quelle flamme, quelle flamme éblouit, éblouit mes yeux? éblouit mes yeux? éblouit mes yeux? éblouit mes yeux? Ah!… Un seul moment encore à vivre! LA VOIX Ma voix t’appelle, DOCTEUR MIRACLE Chante! chante! ANTONIA Un seul moment encore à vivre LA VOIX Ma voix t’appelle, DOCTEUR MIRACLE chante encore! ANTONIA Et que mon âme vole aux cieux! Ah!… LA VOIX Ma vois t’appelle comme autrefois! DOCTEUR MIRACLE Sa voix t’appelle! ANTONIA Et que mon âme vole aux cieux! mon âme vole aux cieux! LA VOIX Chante toujours, ma fille! Chante! DOCTEUR MIRACLE Chante! Sa voix t’appelle! Toujours! son âme t’appelle comme autrefois! ANTONIA Un seul moment encore à vivre, LA VOIX Ma voix t’appelle! DOCTEUR MIRACLE Chante toujours! ANTONIA Et que mon âme vole aux cieux! Et que mon âme vole aux cieux! LA VOIX Chante! chante! Ma voix t’appelle comme autrefois! Chante toujours, toujours DOCTEUR MIRACLE chante! chante! Sa voix t’appelle! Chante, chante toujours! ANTONIA Je cède au transport qui m’énivre!… Quelle flamme éblouit mes yeux? Un seul moment encore à vivre! LA VOIX Chère enfant que j’appelle! Chère enfant que j’appelle Comme autrefois! Ah!… DOCTEUR MIRACLE C’est sa voix qui t’appelle C’est sa voix qui t’appelle Comme autrefois! ANTONIA Ah!… Un seul moment encore à vivre! Et que mon âme vole aux cieux! LA VOIX mon âme t’appelle, t’appelle! Entends ma voix! Entends ma voix! DOCTEUR MIRACLE Son âme t’appelle, t’appelle! Entends sa voix! Entends sa voix! (Elle tombe sur le canapé, mourante. Le portrait reprend son premier aspect. Le Docteur Miracle s’engloutit dans la terre en poussant un éclat de rire) N° 23. Finale CRESPEL (accourant) Mon enfant! ma fille! Antonia! ANTONIA (expirante) Mon père! Ecoutez! c’est ma mère, ma mère qui m’appelle! Et lui de retour! C’est une chanson d’amour, Une chanson d’amour Qui s’envole Triste ou folle… Ah!… C’est une chanson d’amour! (elle meurt) CRESPEL Non! un seul mot, un seul, ma fille! parle moi! ma fille! Parle donc!… mort exécrable! Non! pitié! pitié! grâce!… Eloigne-toi!… ma fille! (à Hoffmann qui entre) Hoffmann! ah! misérable! C’es toi, c’es toi qui l’as tuée! Du sang Pour colorer sa joue! (saissant un couteau pour frapper Hoffmann) Une arme! un couteau! un couteau! NICKLAUSSE (arrêtant) Malheureux! HOFFMANN (à Nicklausse) Vite! donne l’alarme! Un médecin! un médecin! DOCTEUR MIRACLE (paraissant) Présent! (Il se penche sur Antonia et lui prend la main qui retombe inerte) Morte ! CRESPEL (éperdu) Ah! Dieu! mon enfant! ma fille! HOFFMANN (avec désespoir) Antonia! (Frantz est entré le dernier et s’est agenouillé prés d’Antonia) Deuxième Tableau La Taverne du Premièr Acte N° 25. Scène HOFFMANN Voilà quelle fut l’histoire de mes amours Dont le souvenir en mon coeur restera toujours. (Acclamations dans la coulisse, on crie “Stella! Stella!”) LUTHER Grand succès! on acclame notre prima donna! LINDORF (à part) Il n’est plus à craindre; À moi la Diva! (Il s’esquive) HOFFMANN Stella! NATHANAËL Qu’a de commun Stella?… NICKLAUSSE (se levant en sursaut) Je comprends! Trois drames dans un drame Olympia, Antonia, Giulietta, Ne sont qu’une même femme La Stella! ÉTUDIANTS La Stella! NICKLAUSSE Buvons à cette honnête dame! HOFFMANN (furieux) Un mot de plus, sur mon âme Je te brise comme ceci! (Il jette son verre par terre) NICKLAUSSE (d’un ton de reproche) Moi, ton Mentor! merci! HOFFMANN Ah! je suis fou! a nous le vertige divin Des esprits de l’alcool, de la bière et du vin! A nous l’ivresse et la folie! Le néant par qui l’on oublie! N° 26. Chœur NICKLAUSSE Allumons le punch! NATHANAËL, HERMANN, ÉTUDIANTS Allumons le punch! NICKLAUSSE Grisons-nous! NATHANAËL, HERMANN, ÉTUDIANTS Grisons-nous! NICKLAUSSE Et que les plus fous roulent sous la table! NATHANAËL, HERMANN, ÉTUDIANTS Et que les plus fous roulent sous la table! Luther est un brave homme, Tire lan laire! tire lan la! C’est demain qu’on l’assomme! Tire lan laire! tire lan la! Sa cave est d’un bon drille, Tire lan laire! tire lan la! C’est demain qu’on la pille! Tire lan laire! tire lan la! Jusqu’au matin remplis, remplis mon verre! Jusqu’au matin remplis le pot d’étain! Jusqu’au matin remplis, remplis mon verre! Jusqu’au matin, jusqu’au matin Remplis, remplis le pot d’étain! d’étain! (Les Etudiants entrent tumultueusement dans une salle voisine; Hoffmann reste immobile) NICKLAUSSE (à Hoffmann) Eh! Bien, Hoffmann! (Hoffmann ne repond pas et reste absorbé dans sa pensée. Entraînant Nicklausse et désignant Hoffmann) HERMANN Il est complètement ivre! N° 27. Musique de scène et romance (Hoffmann se laisse tomber, accablé, près d’une table. Le grand tonneau du fond devient lumineux et laisse voir la Muse enveloppée d’une auréole lumineuse) LA MUSE Et moi? Moi, la fidèle amie Dont la main essuya tes yeux? Par qui la douleur endormie S’exhale en rêves dans les cieux? Ne suis-je rien? Que la tempête des passions s’apaise en toi! L’homme n’est plus, renais poète! Je t’aime. Hoffmann! Appartiens-moi! HOFFMANN (dans l’extase et comme attiré par la Muse) O Dieu! de quelle ivresse embrases-tu mon âme! Comme un concert divin ta voix m’a pénétré! D’un feu doux et brûlant mon être dévoré! Tes regards dans les miens ont épanché la flamme, Comme des astres radieux! Et je sens, ò ma muse aimée, Passer ton haleine embaumée Sur mes lèvres et sur mes yeux! Passer ton haleine embaumée, Sur mes lèvres, sur mes lèvres et sur mes yeux! Muse aimée, je suis à toi! (Il retombe plonge dans l’ivresse, Stella entre et s’approche lentement) STELLA Hoffmann? endormi!… N° 28. Finale NICKLAUSSE Non, ivre mort. Trop tard, Madame. LINDORF (entrant) Corbleu! NICKLAUSSE Tenez, voilà le conseiller Lindorf qui vous attend! (Hoffmann est sons la protection de la Muse. Stella attirée par Lindorf ne quitte pas des yeux Hoffmann. Quelques Etudiants rentrent en scène en chantant, le reste du dehors) CHŒUR DES ÉTUDIANTS Jusqu’au matin remplis, remplis mon verre! Jusqu’au matin remplis le pot d’étain! Jusqu’au matin remplis, remplis mon verre, Jusqu’au matin, jusqu’au matin. Remplis, remplis le pot d’étain, D étain! Fine この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Offenbach,Jacques/Les Contes d Hoffmann